January, 2021

Prof.dr.Bernd Roling

POSTED IN classic poetry January 29, 2021

Academia

POSTED IN classic poetry January 29, 2021

Prof.Dr.Bernd Roling

https://www.osa.fu-berlin.de/mittellatinistik/studium/videointerview_prof/index.html

An interesting interview!

Maria Magdalena Biela

Birthdays

POSTED IN contemporary poetry January 17, 2021

 

 

 

 

 

 

 

 

 

 

Birthdays

I’ll bake tonight a rounded cake
to celebrate the wish I make
I’ll lit my candles with the Moon
and let them glow in nightly gloom.

I wish myself a better year,
to feel and see what I can’t hear,
and as a snake sheds its own skin
I’d like to shed my old chagrin.

In darkened room a mirror stays,
in candlelight I catch a gaze
from mirror staring straight at me.
One moment thought: who could that be?

The candles shiver as I do,
She looks at me as if she knew
something I did not. Who is she?
From mirror comes another me.

A girl with dark wide opened eyes,
she’s silent without any smiles.
She’s watching from another time,
she hears and sees a silenced chime.

I look into the mirror’s will
another me its waves reveal.
All other me that through time strives
to help me learn my other lives.

I make a wish and write it on
a piece of paper which anon
I fold in half and light in fire,
and let it burn my heart’s desire.

Candles like not to be blown out.
Wet fingertips or with my clout
I kill their flame. I’m born again.
With all my stars I drink champagne.

Maria Magdalena Biela

GLOSS

POSTED IN reading poetry January 15, 2021

GLOSS

Days go past, and days come still,
All is old and all is new,
What is well and what is ill,
You imagine and construe
Do not hope and do not fear,
Waves that leap like waves must fall;
Should they praise or should they jeer,
Look but coldly on it all.

Things you’ll meet of many a kind,
Sights and sounds, and tales no end,
But to keep them all in mind
Who would bother to attend?…
Very little does it matter,
If you can yourself fulfil,
That with idle, empty chatter
Days go past and days come still.

Little heed the lofty ranging
That cold logic does display
To explain the endless changing
Of this pageantry of joy,
And which out of death is growing
But to last an hour or two;
For the mind profoundly knowing
All is old and all is new.

As before some troupe of actors,
You before the world remain;
Act they Gods, or malefactors,
‘Tis but they dressed up again.
And their loving and their slaying,
Sit apart and watch, until
You will see behind their playing
What is well and what is ill.

What has been and what to be
Are but of a page each part
Which the world to read is free.
Yet who knows them off by heart?
All that was and is to come
Prospers in the present too,
But its narrow modicum
You imagine and construe.

With the selfsame scales and gauges
This great universe to weigh,
Man has been for thousand ages
Sometimes sad and sometimes gay;
Other masks, the same old story,
Players pass and reappear,
Broken promises of glory;
Do not hope and do not fear.

Do not hope when greed is staring
O’er the bridge that luck has flung,
These are fools for not despairing,
On their brows though stars are hung;
Do not fear if one or other
Does his comrades deep enthral,
Do not let him call you brother,
Waves that leap like waves must fall.

Like the sirens’ silver singing
Men spread nets to catch their prey,
Up and down the curtain swinging
Midst a whirlwind of display.
Leave them room without resistance,
Nor their commentaries cheer,
Hearing only from a distance,
Should they praise or should they jeer.

If they touch you, do not tarry,
Should they curse you, hold your tongue,
All your counsel must miscarry
Knowing who you are among.
Let them muse and let them mingle,
Let them pass both great and small;
Unattached and calm and single,
Look but coldly on it all.

Look but coldly on it all,
Should they praise or should they jeer;
Waves that leap like waves must fall,
Do not hope and do not fear.
You imagine and construe
What is well and what is ill;
All is old and all is new,
Days go past and days come still.

 

MIHAI EMINESCU

Translated by

Corneliu M. Popescu

 

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